By James Bastien
Thought is the speculation workbook component to the Bastien Piano fundamentals path. each one publication comprises written paintings and a few brief items to enhance the strategies offered in Piano. video games, puzzles, and colourful illustrations make studying enjoyable! Your scholars will achieve a greater realizing of the track they're taking part in, and they'll examine extra simply whilst idea guide is a customary a part of their piano reports. every one web page is punctiliously correlated with Piano, functionality, and Technic.
Level 2 offers thought fabrics correlated with Piano.
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Additional info for BASTIEN PIANO BASICS THEORY LEVEL 2
1 at Leigudun), plan and cross-section. The plan shows the layout of the four chambers, including the sarcophagus and coffin of the marquis (east chamber no. 10), as well as the coffins of his twenty-one concubines (west chamber nos. 1-13 and east chamber nos. 1-8) and the coffin of his dog (east chamber no. 9). < previous page page_8 next page > page_9 < previous page next page > Page 9 Figure 3. Se zither from the tomb of Marquis Yi of Zeng. seven large zithers (se ) (fig. 3) three mouth-organs (sheng ) (fig.
Needless to say, any shortcomings that remain are my own responsibility. I am very grateful to the staff at the University of California Press for their help in producing this book; special thanks to Sheila Levine for serving as the sponsoring editor, and to Amy Klatzkin for seeing this book through press. I wish to extend my heartfelt thanks to Ellen Stein for her insightful editing, which greatly enhanced the readability of my prose. Many thanks are also due to Deborah Rudolph, who did a superb job of proofreading the galleys.
Ivanhoe, Professor Michael Nylan, Dr. Lisa A. Raphals, Mr. Scott E. Rose, and Professor Edward L. Shaughnessy, all of whom read the book in manuscript form and provided helpful comments. I wish to express my thanks again to those who offered comments at the dissertation stage, for much of their input remained useful in writing this book. Needless to say, any shortcomings that remain are my own responsibility. I am very grateful to the staff at the University of California Press for their help in producing this book; special thanks to Sheila Levine for serving as the sponsoring editor, and to Amy Klatzkin for seeing this book through press.