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By Margaret Larkin

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This exhaustive and but enchanting examine considers the lifestyles and paintings of al-Mutanabbi (915-965), frequently considered as the best of the classical Arab poets. A innovative at center and infrequently imprisoned or compelled into exile all through his tumultuous lifestyles, al-Mutanabbi wrote either arguable satires and while hired by way of certainly one of his many shoppers, laudatory panegyrics. using an ornate variety and use of the ode, al-Mutanabbi used to be one of many first to effectively circulation clear of the frequently inflexible kind of Arabic verse, the ‘qasida’.

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Extra info for Al-Mutanabbi: The Poet of Sultans and Sufis (Makers of the Muslim World)

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In the concluding verses of this ode al-Mutanabbi, already assuming the prerogative of the confident panegyrist, takes on the role of judge of what true generosity is and invokes the traditional power of the poet to make or break someone’s reputation for liberality, while also encouraging his patron to be as generous as possible in rewarding him for the poem. 58 EARLY CAREER IN SYRIA After his stay in Baghdad, al-Mutanabbi spent two years in Syria, where his experience was scarcely better than it had been in the capital.

Poems of lament for the dead were also prevalent during the pre-Islamic period. Derived from women’s rhymed prose wailing for members of their family, these compositions were somewhat less rigidly conventional than the ode. Among their frequently occurring features was that of the poet addressing her eyes and encouraging them to find relief in tears. The focus of the poem was praise of the deceased for his adherence to tribally sanctioned values such as bravery, generosity, and forbearance, followed by pronouncements about fate and the inevitability of death.

In the concluding verses of this ode al-Mutanabbi, already assuming the prerogative of the confident panegyrist, takes on the role of judge of what true generosity is and invokes the traditional power of the poet to make or break someone’s reputation for liberality, while also encouraging his patron to be as generous as possible in rewarding him for the poem. 58 EARLY CAREER IN SYRIA After his stay in Baghdad, al-Mutanabbi spent two years in Syria, where his experience was scarcely better than it had been in the capital.

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